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Russian "New Drama"
Magdová, Marcela ; VEDRAL, Jan (advisor) ; ULLRICHOVÁ, Daria (referee)
The work focuses on the current Russian-language theatre writing, more precisely on its strongest and best-known fraction known as the “New Drama” movement. It questions the usage of the term itself as well as it outlines the historical development of Russian theatre, of drama of last twenty-five years and related events of the collapse of the Soviet Union and reflects the change of social paradigm.
It describes the emergence of the phenomenon of "New Drama". It presents the names, institutions, general tendencies and its typology. In the second part, it puts emphasis on the production of four selected authors of the movement: Olya Mukhina, Ivan Vyrypayeva, Mikhail Durnyenkov and Yaroslava Pulinovich, whose works are analysed in detail. The analysis of the work of the four chosen authors and the context of its creation confirms the initial thesis of the gradual convergence of the original subcultural phenomenon with the mainstream. In conclusion, the thesis attempts to name the circumstances that led to the change of the authors’ strategies and thus generally to the transformation of the mainstream subculture.
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Potential of Contemporary Russian Play Staging
Kačmarčík, Josef ; KORČÁK, Jakub (advisor) ; VEDRAL, Jan (referee)
Thist thesis examines contemporary Russian playwrighting and options of its staging. The author is trying to explore basic specifics of this theatrical movement, considering his own experience with bachelor´s staging of Nikolai Kolyada´s play Murlin Murlo. In the first chapter, he is trying to describe the development of the modern Russian drama, it´s contemporary situation and the leading playwrights. Special attention is given to Nikolai Kolyada, who made a huge impact on development of the contemporary Russian drama. At the end of this part the author examines main characteristics of Russian playwrighting. In the second part the author reflects the Murlin Murlo staging and analyses the work on it. Both parts of thesis are trying to solve the basic question, if should be the contemporary Russian plays staged in Czech theatres and which positives can they bring into our setting.
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